The Playwright’s Perspective: X-raying Condescension, as a Matter of Leadership, and of Godfatherism in Julie Okoh's A Haunting Past
Keywords:
Democracy; politics; godfatherism; playwriting; election malpracticeAbstract
Humans as the most sensible and socially organised creatures have over the years invested much time and efforts in structuring and restructuring their civilizations. These attempts have seen progressive U-turns in the making of several standardized societies. These social concerns echoing in politics are interestingly the democratic cry of this paper with a fore allusion to the sovereign space known today as Nigeria. Julie Okoh’s A Haunting Past presents itself as a viable material for the microscopic stance of these broad concerns. Relatively, Vilfredo Pareto’s Elite theory expounds this paper towards a hypnotized destination. The researcher’s application of the theory comes with its apt-mindedness in view of the topic under consideration. The study discovers that the concept of “godfatherism” is undemocratic and dictatorial; hence, it has a negative bearing on the political, social and economic life of any nation. Godfatherism and other foul plays in politics affect the people deleteriously. The study recommends that democratic endeavours in Nigeria should no longer be boycotted; instead, it should be left to take its core place in the Nigerian political space, without any interference whatsoever. This will bring about contentment amongst the majority and in turn, control the excesses of politicians.
References
Alemika, Etannibi E. O. (2011), “Privatization of Security, Arms Proliferation and Electoral Violence in Nigeria.” In Lai Olurode and Attahiru Jega (eds.) Security Challenges of Election Management in Nigeria. Abuja: INEC and FES Nigeria.
Alli, Chris (2001), The Federal Republic of Nigeria: The Siege of a Nation. Ikeja: Malthouse Press Limited.
Amieye-Ofori, Tekena (2009, Democratizing without the People - The Story of Nigeria. Port Harcourt: Pearl Publishers.
Bienen, Henry (1978), Armies and Parties in Africa. New York: Africana Publishing Company.
Boal, Augusto (1979), The of the oppressed. London: Pluto Press.
Campbell, John (2010), Nigeria Dancing on the Brink. Ibadan: Bookcraft.
Chekhov, Anton (1988), “Advice to Playwrights” in Toby Cole (ed.), Playwrights on Playwriting: From Ibsen to Ionesco. Editor: New York: Cooper Square Press.
Dye, Thomas R. and Harmon Zeigler (2008), The Irony of Democracy: An Uncommon Introduction to American Politics. Twelfth Edition. Belmont: Wadsworth/Thomson Learning.
Enefe, Enekwe (2008), Nigeria Transits: The Consolidation of a Democratic Nation. Abuja: Kissa Communications Limited.
Falola, Toyin and Matthew Heaton (2008), A History of Nigeria. New York: Cambridge University Press.
Gbilekaa, E. T, (1993), “Theatre and Political Change in Nigeria since Independence.” in Jide Malomo and Saint Gbilekaa (eds.) Theatre and Politics in Nigeria. Ibadan: Caltop Publications (Nigeria) Limited.
Greene, Robert (2000), The 48 Laws of Power. London: Penguin Books Ltd.
Held, David (1987), Models of Democracy. Cambridge: Polity Press.
Janda, Kenneth (1989), The Challenge of Democracy. Second Edition. Boston: Houghton Mifflin Company.
Janda, Kenneth (2005), The Challenge of Democracy. Eighth Edition. Boston: Houghton Mifflin Company.
Johnson, Effiong (2005), “Who’s Boss Here? Professional Rectitude on the Rehearsal Floor” in Emmanuel Oga (ed.) The Crab: Journal of Theatre and Media Arts. 1 (1): 1-20.
Kukah, Matthew Hassan (1999), Democracy and Civil Society in Nigeria. Ibadan: Spectrum Books Limited.
Lindfors, Bernth (1999), The Blind Man and the Elephant. Trenton: Africa World Press Inc.
Lorca, Federico García, (1988), “The Authority of the Theatre”. Playwrights on Playwriting: From Ibsen to Ionesco in Toby Cole (ed.), New York: Cooper Square Press.
Lotman,Yury (1987), “The Text and the Structure of its Audience” in Shirley F. Staton (ed.) Literary Theories in Praxis., Philadelphia: The University of Pennsylvania Press.
Maitambari, Usman (2011), “Emerging Pattern of Security Challenges: Some Reflections on 1983 and 2007 Elections” in Lai Olurode and Attahiru Jega (eds.), Security Challenges of Election Management in Nigeria, Abuja: INEC and FES Nigeria.
Maxey, Chester (2010), Political Philosophies. Revised Edition. New Delhi: Surjeet Publications.
Nnamani, Ken (2006), The Third Way: Leading Democratic Change through Institutional Independence in Sam Amadi. Enugu (ed.), : Ken Nnamani Centre for Leadership Development.
Ojo, Oluranti Edward (2011), “From Khaki to Agbada: New Trend in Nigerian Politics from 1999 to 2009” in Bawuro M. Barkindo, Folasade Ifamose and Philip Akpen (eds.) Nigeria at Fifty: Issues and Challenges in Governance 1960 to 2010. Makurdi: Aboki Publishers.
Okoh, Julie (2010), A Haunting Past. Ibadan: Kraft Books Limited.
Rosmini, Antonio (1994), The Philosophy of Politics-Society and its Purpose. Translated by Denis Cleary and Terence Watson. Durham: Rosmini House.
Sofola, J. A. (1981), Dynamism in African Leadership: The American Influence. Ibadan: Daystar Press Publications.
Ujo, Abdulhameed (2012), Election in Nigeria: The first 50 Years (1960-2010). International Institute for the Study of Election and Election Management (IISEEM).
Utoh, Tracie Chima (2002), Dramatic parable imperative for social change in postcolonial Nigeria: A critical analysis of contemporary plays. Matatu Journal of African, Cultures, Visual arts and the Museum, 25-26.
World, Report (2009), Human Rights Watch (Events of 2008). New York: Seven Stories Press.
Wright, Stephen (2008), “Nigeria: Building Political Stability with Democracy” in Peter Burnell and Vicky Randall Politics in the Developing World. Second Edition. Editor:. Oxford: Oxford University Press.
Published
How to Cite
Issue
Section
License
The author fully assumes the content originality and the holograph signature makes him responsible in case of trial.